textile text

from the colors and kites of ahmedabad i headed towards the promise of deserts and textiles in kutch. a few hours spent mostly asleep at the back of a sleeper bus (they actually have beds with curtains - kind of like the 'knight bus' in harry potter. and often just as jerky) and i arrived in bhuj, the principal central destination and jumping off point for the area. the guest house i had tracked down was small and simple with a friendly staff.

earthquake damage inside the palace complex

the first day i spent wandering the town, which is rather unremarkable except for the earthquake damage that’s still visible throughout. the quake, in 2001, was fairly disastrous for the region and many of its oldest buildings and the remnants are still around. i saw the aina mahal, the foremost of the city’s few sights, which was little more than a few rooms of a once-great palace. the blue and white-tiled floor and the room covered in mirrors made for quite a sight. i capped off the day with some window shopping – perusing the markets, shops and stalls for embroidery work and snacks.

the next day it was off to discover what i had come here for: textiles! kutch is the home of all things textile in gujarat, which therefore makes it home to some of the best textiles in the country. there are hundreds of villages in the region, each of which specializes in a particular craft, be it embroidery (of all different styles), dyeing, or printing.

so the first day i set off in a rickshaw with lilli, a lovely finnish, london-based lady who takes off the month of december every year to travel and has been making her way through india for the last few of them. we stopped at various points along the way at small villages to wander, take pictures, enjoy chai, or snack on namkeen. we even crashed the early stages of a wedding at one point. ‘tis the season.

displaying her wedding dress

our first craft stop was in bhujodi, known for its embroidery - as many villages are. the work was indeed detailed and beautiful - full of mirrors (actually more of shiny silvery discs) and every color imaginable. the things they produce are amazing and surely take months to create. one can't help feeling though that they would be helped (commercially, at least) by creating items with a color palette that appeals to a more western aesthetic (as opposed to every color you can think of). the pieces we later saw in workshops and cooperatives (run by westerners, often) reflected this notion, but the women whose work we saw in their homes largely didn't.

prints on prints

our next stop was ajrakhpuram, the home of traditional wood block printing. (!!) dr.ismail mohammed khatri's family has been in this business for nine generations and seems to be the only family left in this business. we took a tour of the workshop although it was past 3 and the dr. explained that the sunlight, and therefore work, was largely over for the day. this was disappointing, but still seeing the dyes, long tables laid with cloth, and best of all - dozens and dozens of block designs, was still fascinating. after the requisite chai we were let loose to explore the fabrics and clothes in the cabinets. my excitement must have been noticeable because at some point lilli said 'you're in heaven, aren't you?'. was it that obvious? in the end i curbed my enthusiasm a bit and walked out with some fabric, a scarf and a bag. and the important information that one has to go to a different city/region to buy the actual wood blocks (i smell another trip to gujarat!)

our final, rather abbreviated, stop (too many village stops earlier, i suppose) was in madhapur,  a town that had some handloom work. we saw the giant looms but, again, nobody working them. and i was disappointed to find not handloom textiles but rather predominantly heavy woolen shawls and blankets.

sari i fell in love with

the next day i headed north, up into the bunni region, which requires a government permit for a reason i'm still not sure of. it was a bit farther than the last day's journey and the wind made the trip rather chilly. but along the way there were sights of marshes and all kinds of birds. again it was a day of visiting random little villages that one would never find without a guide. here there are all types of embroidery, including jat and rabari, which each use distinctive stitches and motifs.

desert dwelling

but the villages were also filled with fantastic architecture. traditional round mud huts called bhungs decorated with the ubiquitous gujarati mirrors and carved designs. the interiors were similarly bright - filled with brightly colored walls and carved and mirrored wooden furniture. being me (of course) i also took particular note of the doors. there seem to be so many similarities between these and ones i've seen in north africa. it makes me wonder if there's a universal 'desert' architecture - the mud carvings i also related to the arid landscape of niger and nigeria (or at least what i've seen in photos). at any rate it was as beautiful and ornate as the textiles we saw all over - usually accompanied by arms loaded with plastic bangles and weather-worn smiles.

my final day in the region was spent in mandvi which is a port city known for its beach and ship-building. the beach was incredibly underwhelming - a depressing little stretch of sand with a few snack stands and some horses tethered to stakes. the city itself was similarly unexciting, the 'market' leaving much to be desired (like shops, for instance). the ship-building, however, was an incredible sight. i wasn't expecting much, but tramping around seeing these enormous wooden structures propped up on shore, being made by hand, was pretty awe-inspiring. like watching noah's ark being built. was it worth the 30 rupee/one hour bus ride? yeah probably.

in short kutch was a lovely place with friendly people, unique sights, and of course, colors!